Shaun Ona

Analysis

T tonic (I, III-, VI-) SD subdominant (II-, IV) D dominant (V, VII°) b borrowed (modal interchange)
 
Individual Study

Common-chord modulation, C major → G major

The pivot chord (C) is tonic in C and subdominant in G; the D7 then confirms G as the new key.

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W. A. Mozart

Symphony No. 40 in G minor, K. 550 — I

Movement 1
A11–9
J1–4 K5–9
B10–17 A218–28

Opening phrase of the main theme (part J).

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The opening main theme in the tonic.

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Answering phrase that closes A1 (part K).

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Bridge that tonicises the relative major (Bb).

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Bridge toward the relative major.

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Restatement of the main theme.

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Handwritten analysis

Restatement of the main theme.

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Handwritten analysis